![]() A good comparison is that Hazel is a networking library and DarkRift is a networking solution.In my opinion this feature is not needed in OS X due to the fundamentally different relationship between applications and the system compared with Windows, by design. That said, I'm still happy to merge any pull requests if they come through, so if you do make any improvements I'll happily add them.ĭefinitely a fair thing to say, although DarkRift is still low level for a networking solution. You are right, there are some horrendous allocations in there! I don't really do that much on Hazel anymore because DarkRift takes most of my dev time so it's unlikely I will add pooling at any point. Not really, Hazel leaves that up to you in whatever steps you do to create the byte array.ĥ. It's not too hard to change any details for TCP (including number of bytes for length) but changing UDP is a bit complicated, just because there's a lot more complicated code in there!Ĥ. The information on the TCP page is correct, the UDP one seems to be missing fragmentation but is otherwise right. Hazel will never hand you incomplete data so you will only ever get whole messages, reassembled already.ģ. ![]() You might notice some differences when switching between them but only that one or the other takes more packets etc. ![]() Hazel has fragmentation on both TCP and UDP (TCP by default, UDP only with SendOption.FragmentedReliable on the message). ![]() You are correct, Hazel has no serializer so only deals with already serialized byte arrays.Ģ. Is there setting to prefix message length as a Int16 or better VarInt (dynamic 7bit int) instead? If not, do you think it would be easy to change in the code (easy as in not tons of code that implicitly assumes a 4 byte length header)Ĥ) Does this library provide some sorts of channels, like ReliableOrdered, ReliableSequenced or others?ĥ) Any plans to implement some pooling? There are huge non-pooled allocations everywhere ( like this one or this one here)Īlso, from what I can see DarkRift is trying to be more of a package that does all kinds of additional things, while Hazel is more of a low-level thing, is that fair to say?ġ. Is that right? But if it does have one, can it be disabled/bypassed? I want to use my own serialization library.Ģ) It seems it only supports sending byte-arrays, which is pretty much perfect for me, but am I correct in assuming that it handles fragmentation / re-assembling of packets? Will I ever get incomplete data that I have to re-assemble myself? What about switching between UDP and TCP, will that change anything in that regard? I'm currently looking for a networking library that provides connection handling / fragmentation(and re-assembling of packets),ġ) I didn't find anything about that, but it does seem like Hazel does not have any sort of serializer. Can't find /Library/Frameworks//Versions/Current/Version.Ĭan't find mtouch or the Version file at /Library/Frameworks//Versions/Current. '/Applications/Xamarin Profiler.app' not found I copy your server example from docs, but I have this problems: I start to test your Hazel Library using Xamarin Studio.
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![]() ![]() In order to unlock a Feud card, you must book a match with the two proper wrestlers fighting against each other. The wrestlers must be wrestling against each other (and not be on the same side). Later on in the series, she became his fiance as well. The Character Susan, played by Swedberg, was George’s on again-off-again girlfriend. Seinfeld frequently gave viewers a look at characters that were every bit as charming as they were irritating. Feud cards can only be added to a Match that includes both wrestlers featured on the Feud card. Jason Alexander and Heidi Swedberg Seinfeld.These types of cards that add bonuses are also known as Flavor cards. Feuds can be optionally added to a Match in order to provide a ratings bonus for that match.They didn’t want to touch each other, they didn’t want to look at each other, they wouldn’t face each other if the camera wasn’t actively rolling. These cards represent a heated rivalry between two wrestlers or two tag teams. Houston Yang, who worked on the movie, also gave his two cents on the feud, saying: Boy fucking howdy, was it clear that those two people hated each other.Additionally, the detectives Javier Esposito ( Jon Huertas) and Kevin Ryan ( Seamus Dever) were always a pleasure to watch and could have easily led the show. Quinn had become a very capable actress, appearing in the Guardians of the Galaxy films among others, and it would have been interesting to see how Alexis’ career evolved and adjusted to her father’s marriage. Castle’s daughter, Alexis ( Molly Quinn), had grown up over the course of eight years Quinn was a child actress at the beginning of the show, but by the end, she had grown into a capable young woman who was an awful lot more responsible than her father. How would having children impact Beckett’s ability to perform her duty?Ĭastle also had more than a few great recurring characters whose arcs felt unresolved. Castle and Beckett had only just become a married couple at the beginning of the sixth season, so the show hadn’t had the time to explore what balancing their professional and personal lives looked like. 14.On The Flash, Barry Allen and Eobard Thawne are archenemies, but Grant Gustin and Tom Cavanagh are close friends who made a short film together, Tom and Grant. As a result, some seasons focused more on his creative endeavors, and others were centered around a pivotal case. Barbara Windsor/Shane Richie Babs Windsor lost her rag with Jessie Wallace on several. While shows like NCIS, FBI, and Blue Bloods have started to feel stale after dozens of familiar cases, Castle had both the mysteries and Castle’s writing career to focus on. Ben Arnold 10 TV Shows Where The Cast Hated Each Other 1/10 EastEnders Jessie Wallace Vs. The actresses portrayed best friends Carrie and Samantha on the HBO series for. Jeanette was also pissed that Ariana was making so much more than her for 'Sam & Cat' as she felt she was the bigger TV star. Sam and Cat, it was definetly not a hit, the show sucked, but the cast hated each other. Even though the final episode “Crossfire” was intended to be a normal season episode, it became the series finale when it became apparent that it would be the last time the characters Castle and Beckett would appear on-screen together.Ĭastle had a premise that made it more sustainable than a majority of crime procedurals. However, two of the main stars Sarah Jessica Parker and Kim Cattrall have been at the center of drama for years. That’s kinda hard being the love interest, but they made it work. Nina Dobrev and Paul Wesley Trolled People Who Think They Hate Each Other. Castle had been renewed for a ninth season and continued to be a hit for ABC, but Katic chose to exit the show, and would later describe it as “a harsh ending.”As a result, the show was canceled at the end of its eighth season, even though Fillion had already renewed his contract to appear in Season 9. The Vampire Diaries Cast Had the Sweetest Reunion at Golden Globes After Party. While the show was able to surprisingly keep going for eight seasons without the tension becoming evident to fans, the situation on set had escalated at a rapid pace. Sources claim that the tension had gotten so extreme that there were concerns by the producers that it would affect the quality of the show, and that the two had to be sent to shared counseling in order to portray a romantic couple on screen together. While Katic’s representatives officially reported that there was no on-set tension, another source stated that the tension had gotten “so out of hand they made Stana and Nathan go to couples counseling together.” US Weekly’s source also claimed that the two hated each other and would not speak to one another anytime they weren’t filming, that tension had increased over the course of several seasons, and that Katic could be overheard crying in her dressing room. According to an insider speaking to US Magazine, Fillion had “been nasty to Stana for a long time,” and the two were very cold together while filming and doing scene preparations. ![]() Designs are, finally, executed to the point, flawless and frickin' hot. Plus it's bloody gorgeous, it's amazingly beautiful and colorful. The movie shines, attacking with pastel color palette and some of the best and smoothest animation I've seen in this series. Movie fixes what didn't really work in the Crystal series from the technical point of view, especially animation and awful CGI, nah, no more shite. Definitely best looking Sailor Moon installment ever and may be as well the best installment (or very, very close one, even it has some flaws) in general.īut there's no suprise, movie adapts best arc of the manga and follows it strictly (considering runtime and the cuts, of course), after all this is what makes remake of Sailor Moon better, or supposed to as Crystal had some really big issues with proper execution and pacing, following the source in the Looks gorgeous, smooth and frickin' beautiful. To put it simple - technically breathtaking. Long awaited and hyped adaptation of 4th Sailor Moon arc is finally out. Will they be able to recover their powers in time to stop the darkness from taking over? Meanwhile, the Sailor Guardians discover that they can no longer transform following the eclipse and begin to fall victim to the Circus' Lemures. When Mamoru Chiba suddenly falls ill after the appearance of a total solar eclipse, Usagi and Chibiusa encounter a pegasus by the name of Helios who is desperate to unseal the Golden Crystal, which Helios claims is the only way to save their world from the impending threat. In order to stop the Circus in their tracks, Usagi Tsukino and her friends must reprise their roles as the Inner Sailor Guardians. Using "Lemures," the Circus begins to convert people's dreams into nightmares in order to collect enough energy to plunge the Earth into darkness and turn it into a planet of death. The Dead Moon Circus has arrived in Juban with the hopes of liberating their queen, Nehellenia, by stealing the Legendary Silver Crystal for themselves. ![]() It pokes fun at Hollywood’s obsession with and characterization of alien life (in particular the alleged need aliens have to examine the more disgusting parts of the human body,) and the various filmic interpretations. Paul has some extremely funny and clever moments, most riding on the audience’s knowledge of other sci-fi films from Invasion of the Body Snatchers to Close Encounters of the Third Kind. The film follows a fairly predictable pattern of flight from the law, strange encounters with even stranger people, disaster, romance, and eventual redemption. All are in a land whose culture is foreign all stick out like oases in the desert, and all are slightly uncomfortable with their strangeness, except with each other. This is a good premise: earthly aliens (Brits in America) teaming up with an unearthly one. They are being followed by a government agent, two slightly inept cops, and manage to pickup an odd religious nut along the way. Late one night they encounter Paul (the oddest named alien in film history, voiced by Seth Rogen), who needs them to help him get to Wyoming so he can get the hell out of Dodge. Pegg and Frost play Graeme and Clive respectively, two British geeks who take a lifelong dream trip to Comic-Con in San Diego, followed by a road trip in an RV to famous UFO/alien sites of the southwest United States. Scott Pilgrim is one example of this and now Paul is another. Separate the trio, and while the work is still very good, it doesn’t quite reach the same peak. These three individuals have oodles of talent on their own but bring the three of them together, and they hit a whole new level of brilliance. This could be applied to the masterful cinematic combination of Edgar Wright, Simon Pegg, and Nick Frost. ![]() The saying goes, the whole is more than the sum of its parts. ![]() He worked his butt off for decades trying to make Hollywood happy with him so that he could raise money to make movies he wanted to make. John Carpenter has dealt with a lot of crap from Hollywood. ![]() does more with the plot points in far more interesting ways. There’s even a moment where Snake is put into an impossible to survive gladiatorial gauntlet that he ends up not only surviving but getting the audience to cheer him on.īut, much like how I prefer Only Angels Have Wings to Ceiling Zero, I feel like Escape from L.A. Snake Plissken is brought to infiltrate a city-sized prison of crazy sub-cultures in order to rescue a piece of technology held by a resident of the White House, setting up a conflict with the local warlord, meeting up with friends he lost along the way, and ultimately getting off the island to come face to face with the true nature of presidential leadership. Yes, Escape from L.A.is a beat for beat remake of Escape from New York. Well, I feel like the script for Escape from L.A. In my review for the first cinematic adventure of Snake Plissken I wrote that it was hampered by extreme budgetary constraints and some odd structural issues with its narrative, insisting that it really needed a script polish before shooting at the very least. I think this is one of John Carpenter’s best films, and I think it’s a large step up from Escape from New York. I unabashedly, unironically, and unashamedly love this movie. #2 in my ranking of John Carpenter’s films.
![]() And in promoting the book, Obama will sit down with Winfrey, Jimmy Kimmel and Stephen Colbert, among others. Obama does make reference to the way that he drew on celebrity figures to help propel his rise, including Oprah Winfrey, and how his White House embraced showbiz talent, with the likes of Paul McCartney and Bob Dylan performing as part of a regular PBS concert series. And the more oxygen the media gave them, the more newsworthy they appeared.” Certainly, they made little to no effort to categorize his theories as beyond the pale-like alien abduction or the anti-Semitic conspiracies in The Protocols of the Elders of Zion. (He’d usually reply with something along the lines of ‘Well, we know they were born in this country.’) But at no point did they simply and forthrightly call Trump out for lying or state that the conspiracy theory he was promoting was racist. ![]() They all made a point of expressing polite incredulity, asking Trump, for example, why he thought George Bush and Bill Clinton had never been asked to produce their birth certificates. “Outside the Fox universe, I couldn’t say that any mainstream journalists explicitly gave credence to these bizarre charges. He also singled out NBC’s Today, “the same network that aired Trump’s reality show The Celebrity Apprentice in prime time and that clearly didn’t mind the extra publicity its star was generating.” “What I hadn’t anticipated was the media’s reaction to Trump’s sudden embrace of birtherism-the degree to which the line between news and entertainment had become so blurred, and the competition for ratings so fierce, that outlets eagerly lined up to offer a platform for a baseless claim,” Obama writes, adding that it was not just Fox News that gave Trump a platform but ABC’s The View and CNN. But Obama still devotes a number of passages to Trump’s rise as a national political figure, and makes it clear the extent to which he believes that the Celebrity Apprentice host was aided and abetted by a political environment where entertainment and politics have linked. Promised Land is just part one of the Obama memoirs, as it goes through the death of bin Laden. Far from being ostracized for the conspiracies he’d peddled, he in fact had never been bigger.” Their publishers would vie to have him sit at their tables. The same reporters who laughed at my jokes would continue to give him airtime. Trump trafficked in a currency that, however shallow, seemed to gain more purchase with each passing day. What I knew was that he was a spectacle, and in the United States of America in 2011, that was a form of power. I couldn’t begin to guess what went through his mind during the few minutes I spent publicly ribbing him. He went on, “The audience howled as Trump sat in silence, cracking a tepid smile. Obama writes, “As the audience broke into laughter, I continued in this vein, noting his ‘credentials and breadth of experience’ as host of Celebrity Apprentice and congratulating him for how he’d handled the fact that ‘at the steakhouse, the men’s cooking team did not impress the judges from Omaha Steaks….These are the kinds of decisions that would keep me up at night. Obama needled Trump over the birth certificate matter, but also mocked him for Celebrity Apprentice. About halfway through, I turned my attention directly to Trump,” he writes. “When it was my turn to speak, I stood up and started my routine. Obama writes that he went to the dinner that night, “my face fixed in an accommodating smile, as I quietly balanced on a mental high wire, my thoughts thousands of miles away.” intelligence having been tipped to his whereabouts in Pakistan. That was a reference to what was going on in secret at the time: Plans for a raid to take out Osama bin Laden, with U.S. 2024 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming The similarly holistic health-leaning spot adjacent to Chinese Tuxedo was doing well but not “killing it,” and economically, it ultimately made more sense to turn it into a private dining space for Chinese Tuxedo, Buckingham says. A neon sign also greets customers, saying “no photos, no fighting.” But with such a built-for-Instagram look, the request for no photos is “tongue-in-cheek,” a bid to “live in and enjoy the moment,” according to a spokeswoman.Īlong with this opening, Australian vegan cafe The Good Sort has closed. Expect a space flush with pink neon signs, peach blossoms, lanterns, Gucci wallpaper, and deep red banquettes. ![]() Like with the upstairs part of the restaurant, Peachy’s leans into design. “It’s not about smashing tequila shots and things like that.” “It’s a grown up place,” Buckingham says. Peachy’s target customer theoretically isn’t binge drinking, he says. Of course, alcohol is inherently unhealthy, which Buckingham acknowledges, but he says the cocktails are more about balance. Beyond that, the Chinese Tuxedo clientele already seems to be health-conscious, he says, saying there’s a demand for things like vegan and gluten-free options. See the full menu below.īuckingham says that he was already familiar with SunPotion and uses some of its products at home. It’s sort of in the same genre as super trendy, very popular cocktail bar on the same street Apotheke, which has a pharmacy and chemistry theme and divides its cocktails by its holistic benefits.įusion-y pan-Asian snacks here come from Chinese Tuxedo chef Paul Donnelly, ranging from kimchi to dumplings with sun-dried tomato, pork, and buffalo mozzarella. The second page of the menu doubles down on this with a glossary explaining the purported benefits of each superfood, including pine pollen, chlorella, and moringa leaves one is used in each of the six elixir cocktails. One called The Great Protector has cacao nib-infused mezcal, cashew orgeat, Thai bird chili bitters, and astragalus, a root used in traditional Chinese medicine that reportedly helps boost the immune system. It’s got 50 seats and room for about 80 people, and cocktails are split between signature options for $15 and elixir cocktails for $18, the latter of which come with ingredients from California-based superfood and holistic health company SunPotion. between Bowery and Pell Street, comes from Chinese Tuxedo co-owners Jeff Lam and Eddy Buckingham, who opened their sprawling Asian-ish restaurant in 2016 and have since received two star reviews from both Eater critic Ryan Sutton and Times critic Pete Wells. ![]() ![]() Hip bi-level Chinatown restaurant Chinese Tuxedo just added another aspect to its Doyers Street space - a downstairs cocktail bar called Peachy’s that is going hard on drinks laced with superfoods. ![]()
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